Alfred, Lord Tennyson (1809-1892)

“The Charge of the Light Brigade” (1854)

Background

“Charge of the Light Brigade” was first published in The Examiner in 1854. Tennyson became Poet Laureate in 1850, and part of his function was to commemorate major national events. In 1854, during the Crimean War, a disastrous military engagement took place at Balaclava. The poem pays tribute to a brigade of valiant British soldiers, who obeyed their commander’s instructions to attack Russian troops. Unfortunately Lord Raglan’s orders were misinterpreted: the men were sent in the wrong direction, into ‘the jaws of Death’ and ‘the mouth of Hell’, resulting in a massacre. Tennyson’s pounding, relentless verse celebrates the soldiers’ heroism, and conveys the dramatic pace and sound of battle.

Background text is a derivative of “The Charge of the Light Brigade,” The British Library, and is licensed under CC BY 4.0.

Reading Questions

  1. How do meter and rhyme function in “Charge of the Light Brigade”? To what effect? To what purpose, do you imagine?
  2. What does it mean for this poem to be the final poem included in Tennyson’s first volume as poet laureate, Maud and Other Poems (1854)? If you have read Maud, what does it mean for these two poems to be bookends in the volume, since Maud was the first poem included?
  3. What kind of patriotic identity, patriotic ideals, does this poem espouse? Where are those idea(l)s challenged within the poem itself?

Recordings and Paintings

In 1888, Thomas Edison sent representatives to England to record Tennyson reading his poetry. The audio of “Charge of the Light Brigade” was captured on a wax cylinder. Listen to the recording here:

 


Usage: Public domain.

 

image
The Relief of the Light Brigade, 25 October 1854 (1897) by Richard Caton Woodville (1856-1927). Oil on canvas. National Army Museum. NAM Accession Number: NAM. 1989-01-1-1. Public domain.

 

Balaclava
Balaclava (1876) by Elizabeth Southerden Thompson Butler (1846–1933). Oil on canvas, H 103.4 x W 187.5 cm. Gift from from Robert Whitehead, 1898. Manchester Art Gallery. Painting licensed under CC BY-NC-ND 4.0

 

I
Half a league, half a league,
Half a league onward,
All in the valley of Death
   Rode the six hundred.
“Forward, the Light Brigade!
Charge for the guns!” he said.
Into the valley of Death
   Rode the six hundred.
II
“Forward, the Light Brigade!”
Was there a man dismayed?
Not though the soldier knew
   Someone had blundered.
   Theirs not to make reply,
   Theirs not to reason why,
   Theirs but to do and die.
   Into the valley of Death
   Rode the six hundred.
III
Cannon to right of them,
Cannon to left of them,
Cannon in front of them
   Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of hell
   Rode the six hundred.
IV
Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
   All the world wondered.
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre stroke
   Shattered and sundered.
Then they rode back, but not
   Not the six hundred.
V
Cannon to right of them,
Cannon to left of them,
Cannon behind them
   Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell.
They that had fought so well
Came through the jaws of Death,
Back from the mouth of hell,
All that was left of them,
   Left of six hundred.
VI
When can their glory fade?
O the wild charge they made!
   All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
   Noble six hundred!

 

 

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Victorian Poetry and Poetics Copyright © 2024 by Monica Smith Hart is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.